Conversations with Coy Quakenbush

Today we’d like to introduce you to Coy Quakenbush

Hi Coy, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I am Coy Quakenbush. I am presently living on the land I grew up on about ¾ of a mile from center of Saxapahaw, NC.

I am a self-taught art pottery maker, painter, sculptor, and all around clay person. I use clay building techniques from the turn of the millennium. I have my own studio and recently new, CoyQ Artworks Gallery, at my home/studio, in a semi-rural area in central NC, USA. I started my art journey about 1997. I was looking for a hobby to pass the time in the evenings before bedtime.

So much for the hobby side when I happened on a bag of clay and a video tape about the potters in Mata Ortiz, Mexico. I was hooked on clay. Now, I not only make fabulous Mata Ortiz Pottery, but also, I do clay sculptures, paintings with colored clay slips, Raku pottery, pit-fired pottery, and epoxy decorated pieces, to name some of the other art directions I travel. I have just recently started investigating the use of high voltage wood burning incorporated into my artwork.

Sincerely,
Coy Q.
Mata Ortiz Master Potter

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
I believe that every artist’s journey is unique, and mine might be described as a gravel road—somewhat rough, but not too many bumps or potholes. My biggest challenge was my desire to create and produce Southwest pottery, including its designs and methods. At that time, I was living in North Carolina, far from the Southwest, particularly Arizona and New Mexico. This distance made it difficult to access information about pottery techniques from the Pueblo cultures and northern Mexico, especially from the town of Mata Ortiz, which was just beginning to gain recognition for its pottery.

In 1996, I bought my first computer, which ran on Windows 95, and began using dial-up internet. Though it was slow, it opened up new avenues for research that I couldn’t have accessed otherwise. I spent countless hours online, learning about pottery, museums, and the rich cultures of Native Americans, including the people of Mata Ortiz, their traditions, and everyday life.

As I delved deeper into my research, I discovered a wealth of information that was mostly accurate, allowing me to learn the techniques and styles of Southwest pottery. I became particularly fascinated with the craftsmanship and designs of Mata Ortiz pottery and decided to focus on their techniques, shapes, and concepts. Many of my designs are inspired by the ancient Casa Grande designs and the Mimbres people, known for their distinctive black fine line designs on white slip pottery, which date back to around 500 A.D. to 1100 A.D. Although the Mimbres culture eventually disappeared, it is believed that some of their designs influenced the Hopi Indians’ pottery.

Ultimately, my greatest hurdle in starting my career was finding the correct and reliable information about these artistic traditions.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
Over the years, my pottery practice has consistently centered around Mata Ortiz pottery. This style serves as my guiding force, helping me stay focused on my artistic direction. Whenever I feel tired or uncertain about the next steps in my creative journey, I revisit my collection of old reference books. I immerse myself in the images and techniques of the Mimbres people’s pottery, Casa Grande pottery, and Mata Ortiz pottery. This reflective practice allows my mind to wander, rejuvenating my spirit and guiding me back to the path I’ve traveled for so long.

This approach not only helps me stay grounded but also inspires me to explore other pottery forms for fun. I create a variety of pottery types, including raku, pit-fired pieces, whimsical sculptures, and animal figures. For instance, I enjoy crafting unique pieces like lizards or incorporating animal elements, such as a snake’s head emerging from a plant body. Working with clay gives me the freedom to let my imagination run wild, often leading to unexpected results.

My artistic style differs from potters who primarily focus on traditional stoneware pieces for everyday use, such as bowls and vases. Instead, my sculptures and pottery invite visitors into a world of creativity when they enter my studio and gallery. Here, they can explore a vibrant array of raku pottery in different colors and shapes, as well as whimsical sculptures. One of my favorite moments is when a young boy, accompanied by his grandmother, visits my gallery. He is particularly captivated by a large, floppy-eared bunny sculpture, and his fascination brings a smile to my face.

The diverse nature of my work means that some pieces are labor-intensive while others are simply enjoyable to create. I also craft animals from clay and fire them using raku techniques, resulting in a variety of colorful and unique forms. Alongside my pottery practice, I enjoy teaching classes to those eager to learn about clay and the techniques I use. I believe that everyone brings their individuality to the craft, and I love sharing my knowledge to help others develop their unique styles.

Each piece of pottery I create is signed with “Coy Q,” representing my last name, Quakenbush. My pottery line is called Coy Q Pottery, and my gallery is named Coy Q Artworks for simplicity. Within my collection, the special Mata Ortiz-style Southwestern pottery stands out, reflecting years of dedication and skill. I always strive to make each new pot better than the last, serving as my own quality control.

When someone admires a new pot that I’ve spent considerable time decorating, it fills me with joy to see their delight. I believe that my designs bring happiness to others, which sets me apart in the art community. I have not encountered many other artists in North Carolina creating Mata Ortiz-style pottery, making my work distinct in the region. This uniqueness not only enhances my sales but also fosters connections with fellow artists, who appreciate that I bring a different perspective to my craft.

In summary, my dedication to Southwestern pottery, coupled with my diverse creative explorations, enriches my life and allows me to share my passion with others.

Can you talk to us a bit about happiness and what makes you happy?
I have a rich and fulfilling array of experiences that bring me joy. The moments I spend with friends and family during the holidays create lasting memories and a sense of connection. I find great satisfaction in winding down after a productive day—whether through my pottery or simply relaxing with some TV—highlighting the importance of balance in my life.

My passion for creating pots is particularly inspiring to me. I feel a special joy when I see someone interact with my artwork, turning it to explore its details and feeling the textures. There’s a deep connection I feel with the viewers during these moments. I love how my hand-painted designs invite curiosity and surprise. This tactile engagement adds a unique dimension to my art, making it not just visually appealing but also an interactive experience for others.

Overall, my happiness stems from both my personal creative expression and the connections I foster with others through my art. Embracing these moments and the reactions they evoke allows me to truly appreciate the world around me.

Pricing:

• Do not sell yourself short. There is a piece of you in everything that you make.
• decide what is the value of your time.
• hold your ground when confronted with cheap customer
• price your work so that you feel you are making money on the sale and the customer is getting a good deal by buying your work
• and last. If something sells out, the raise your price on the next batch of that product

Contact Info:

• Website: https://CoyQuakenbush.com
• Instagram: Coyquakenbush2
• Facebook: Coy Quakenbush, Coy Q Artworks
• LinkedIn: Coy Quakenbush
• Yelp: Coy Q. Artworks
• Other: Email – [email protected]